Monday, April 30, 2007

At the Corner of Teiban & Clive


At the corner of Teiban and Clive streets, before tor-tu-gor began to bake away the dew from the stones, I painted a timely oath on a broad wall overlooking the area where vendors for today's market would soon congregate.


Here, without contemplating consequences,
before the black Sardar range and in the face of the world,
I swear eternal fidelity to the just cause, as I deem it,
of the City of my life, my liberty and my love.


The author was a bold man from the earliest days of our founding. A peasant farmer who had been at various times in his life a bargemen and a sutler. A voracious reader and thinker, admired both for the strength of his arm and the strength of his will, he came to be caste leader in his village and, soon, for many of the villages that surrounded his own as Ar, both the City and the ideal, grew into what we know it to be today.

Saturday, April 28, 2007

A Fire in the Anbar




I set a fire in an alley of the Anbar last evening. Using palettes and crating appropriated from the other businesses in the neighborhood, I built a litter and set it ablaze. Other residents, proprietors and citizens came out into the alley to watch, making comments as it burned.
"Which one do you suppose it is?"
"I do not know. He has them all dressed in red now."
"Who cremates a whore?"
"The Magistrate is an odd one, he is."
"It is not Portia."
"Well, yes, that is obvious."
"Waste of good wood if you ask me."
"Be silent. He got Mascius to repay the debt he owes me."
"What does that have to do with wood?"
"It is going to be all smoky in the alley now."
"Do not complain. If it weren't for his whore house, I wouldn't have customers at my tavern in the afternoon."
"I do like his whores."
"Indeed."
"Still. That smoke is unpleasant."

Wednesday, April 25, 2007

Advertising


I am a firm believer in advertising. I have seen it work. There are subtle ways to advertise, such as painting the doors of one's establishment red. Red speaks of blood. The heat of it. Passion. Whether it is the scarlet of a Warrior's cloak or the more lurid hue of a pagar slave's silk, it does not matter. Painting the door of one's establishment this color is an incitement to curiosity. It stirs the very blood it seeks to emulate. There are other forms of advertisement, of course, most of them less subtle. One might simply paint the words upon a door, "Whores. Three Copper per Ahn," if one is disinclined to worry over the opinions of one's neighbors. Still. The same objective is accomplished. The same blood stirred.

That is not to say I am averse to more blatant advertising. In the past, I have put camisks on girls that had the rather blatant inducement, "Have me. Boarding House. Anbar," stitched across the rear skirt. They were teal in color. As of this morning, those teal garments have been discarded in the refuse bins. They have lived their useful lives and been disposed of. They were replaced, however, with red garments. I purchased six of them with that now famous (infamous?) slogan across the ass. Portia received the first of them. Of women that earn, she is first on the chain. She was tasked last evening with gathering up the older teal garments and distributing the new red ones. She, too, will be accompanied by a red-lipped and kohl-eyed Cup during the ahn that she earns. Cup, I have decided, will earn her keep as her chain sisters do. She has been commanded to follow Portia's instructions explicitly.

Tuesday, April 24, 2007

Graffiti in the Anbar District


Remember me
That is not a question
It is a command
At the very least
It is something
That I implore
For when I am gone
I am gone
For when I am dead
I am dead
This generation
The next generation
And the generation
That came before me
They will remember
As must you
For when I am through
I am through
When I no longer write
No longer will you read
Anything new
Let the old ideals
Spark the new ideas
And the new ideas
Bring the change
We all desire
Feet to the fire
Your ire to the flames
You are challenged
All life is The Game
Each piece has its place
Each place has its time

In the Anbar


With the two principal parts of the play cast, I have decided to divide myself between districts again, allowing the doors to the domicile in the Anbar to be open. Profit, while showing an increase in the accounts of a few girls, has leveled with the remainder. With regular patronage during the day and no bar to their ability to earn (I do not allow them to solicit on Aulus Street or within the vicinity of the Theater of Pentilicus Tallux), I expect an increase in revenues. Too, it is now the month of Hesius, the fifth day. The twenty-second day of this month marks the second full year that Szol of the Poets, now Magistrate of the People, Playwright, and Whoremonger, became the proprietor of the Boarding House. It is only fitting that the red doors be open, welcoming citizens and visitors alike to the pleasures three copper coins per ahn (four for the blonde) can purchase. Perhaps there will be an event to mark the occasion. For now, I must put down the pen and smack a few whores across the ass that they may begin their day. On most days, these girls needs no greater impetus to earning than the sting of an open palm. And the fellows who patronize them need no greater endorsement to spend than the sight of a slapped ass, coupled with their eager smiles.

Monday, April 23, 2007

An Open Door


It was a little more than three hands that the girl, Cup, spent confined in a cell beneath my domicile on Aulus Street. From the start of the third hand of En'Kara to about the middle of the first passage hand, she waited. It was not an uncomfortable cell, as far as girl-confinements are measured. She was not, for example, close-chained in a cage. She could stand if she chose within the enclosure. There was a grate in the stone flooring with access to one of the myriad of sewage passages that run through this glorious, modern city. Her fortune, too, was increased by regular precipitation, affording run off rather than stagnant conditions. I gave her a blanket for warmth and a bit of hay to soak up any dampness. Most indulgently, she was fed and watered, save a handful of days when I felt starving her might be beneficial. She took a bite out of one of my whores. I judged that sustinence enough for two days after the incident. That, ironically, was where she was most indulged. She was afforded contact with others. I sent the girl Elise down to her daily to feed and water the girl and ensure that her hygiene was looked after. Too, she was beaten daily by the girl, once First Girl of the grand Curulean of Ar. I, however, did not pay the girl a visit for the duration of the time she was confined. There was little time for it. She was not only being disciplined during her tenure, she was being put aside. A slave who does not learn may be disciplined further, put aside, sold, or simply disposed of. It is important that a woman understand her place in this world if she is to survive in it. Locking a woman away says to her, or should say to her, "See here. You are troublesome. I do not have time for you at the moment. Perhaps tomorrow. Or the next day. Or next month. Or next year. You will wait on my schedule. You are only a girl." The pragmatic girl can say to herself, "I will wait. I am thankful, at least, that I am fed on most days. It tells me he has not forgotten about me. It tells me I must wait upon his schedule. I must wait. I will improve."

Of course not every girl is pragmatic. Some are stubborn. Some have a romantic vision of how they will be conquered and dominated that simply does not fit with reality. I have known beauties that have found themselves forgotten on a chain of a hundred women. Perfumed and pretty, waiting to serve, finding themselves nothing more than a part of the decor. An objet d'art. Some women that might find themselves first girl on a Pirate's chain in Port Kar serve as kettle and mat wenches in Thentis or Esalinus. The bottom line, the lesson to take away, is that in the relationship between a man and a slave, the man must be fulfilled. The slave must take her fulfillment, if she is afforded the opportunity, in his pleasure. Whether the man chooses to keep the woman simmering on the stove, a ready feast that he may or may not indulge himself with each night, or on a shelf like a bottle of good wine or aging cheese, is not in the power of a mere girl to change. She may within the confines of her discipline, of course, hope to influence him, but there are no guarantees in the life of a slave.

I once owned a girl that knew more than one hundred ways to walk through an open door. When she forgot how to crawl, I sold her.

Saturday, April 14, 2007

Locutius of Gor


"I am home," he announced.

Indeed.

Locutius of Gor entered the Great Theater of Pentilicus Tallux with the ease of pater familias, with a greater ease, in fact, than I walk into either of my two domiciles. Twelve cities, glorious Ar included, claim themselves to be the birthplace of Locutius. He is to the stage what Scormus is to The Game. There is little wonder, then, that the world's finest stage feels like home to him. He is not intimidated by the stage, but that is not to say he does not have the proper reverence for it. I watched the way he caressed the worn wood of the floorboards before lifting himself onto the it, the manner in which he breathed when he stood there, as if to let the very history of the place fill his lungs. He will assume one of the two principal roles in The Good Citizen.

I have a healthy trepidation about Locutius and Turianus sharing the stage. Both have the confidence one expects of an orator, but both are quite used to being the focus of the adoring public. They are professional men, however. I do not doubt that they can find a way to co-exist. The next month should prove to be anything but dull.

Wednesday, April 11, 2007

A Bed Time Story


A barbarian slave named Lucy was working in the garden one fine afternoon in the shade of a stately Tur. As she dug and dug and reaped and sowed, a burl from the stately Tur tumbled down the trunk and struck poor Lucy about the shoulder.
Lucy arose immediately and said, "Oh! The sky is falling. I must run and tell master!"
So Lucy started running and running and soon ran right into her chain sister Polly, a lovely dark-skinned girl.
"Why are you running, Lucy?" Polly inquired.
"Ah, Polly," Lucy replied. "The sky is falling. I must run and tell master!"
"How do you know the sky is falling?" Polly asked.
"The evidence is irrefutable," Lucy said. "I saw it with my eyes, heard it with my ears, and a bit of it struck my shoulder!"
"I will go with you to master," Polly said.
Together they ran and ran until they met a curvy dark-haired girl with fair skin called Julia.
"Why are you bitches running?" Julia inquired.
"Ah, fair Julia," Lucy replied. "The sky is falling. Polly and I must run and tell master!"
"How do you know the sky is falling?" Julia asked.
"The evidence is irrefutable," Lucy said. "I saw it with my eyes, heard it with my ears, and a bit of it struck my shoulder!"
"I will go with you to master," Julia said.
Together they ran until they met a blonde slut called Evie.
"Why are you running?" Evie inquired.
"Ah, blonde Evie," Lucy replied. "The sky is falling. Polly and Julia and I must run and tell master!"
"How do you know the sky is falling?" Evie inquired.
"The evidence is irrefutable," Lucy said. "I saw it with my eyes, heard it with my ears, and a bit of it struck my shoulder!"
"No shit? I will go with you to master," Evie said.
Together they ran until they met a leggy auburn girl called Jill.
"Why are you running?" Jill inquired.
"Ah, long-limbed Jill," Lucy replied. "The sky is falling. Polly and Julia and Evie and I must run and tell master!"
"How do you know the sky is falling?" Jill inquired.
"The evidence is irrefutable," Lucy said. "I saw it with my eyes, heard it with my ears, and a bit of it struck my shoulder!"
"A jog sounds delightful. I will go with you to master," Jill said.
Together they ran until they met a buxom girl called Sally.
"Why are you running?" Sally inquired.
"Buxom Sally," Lucy replued. "The sky is falling. Polly and Julia and Evie and Jill and I must run and tell master!"
"How do you know the sky is falling?" Sally inquired.
"The evidence is irrefutable," Lucy said. "I saw it with my eyes, heard it with my ears, and a bit of it struck my shoulder!"
"Oh! I will go with you to master," Sally said.
Together they ran until they met a girl with golden-earrings called Nora.
"Why are you running?" Nora inquired.
"Decorated Nora," Lucy replied. "The sky is falling. Polly and Julia and Evie and Jill and Sally and I must run and tell master!"
"How do you know the sky is falling?" Nora inquired.
"The evidence is irrefutable," Lucy said. "I saw it with my own eyes, heard it with my ears, and a bit of it struck my shoulder!"
"I will go with you to master," Nora said.
Together they ran until they ran right into their master.
"Why are you running?" Master inquired.
"Oh, exalted master," Lucy replied. "The sky is falling. Polly and Julia and Evie and Jill and Sally and Nora and I have run straight here to tell you!"
"And so you have," their master said. "How do you know the sky is falling?"
"The evidence is irrefutable, Master," Lucy said. "I saw it with my eyes, heard it with my ears, and a bit of it struck my shoulder!"
"Foreboding," he said with a yawn.
"You are damned straight it is, Master," Lucy said.
Their master thought about it a while. And then he thought about it a while longer. And then, after that, he took a short nap before enjoying a delightful mid-afternoon repast. At this point, he made a decision, which he conferred to the slaves that had run to him with the dire news.
"The sky is not falling," he averred. "Do you understand?"
"Yes Master," said Polly.
"Yes Master," said Julia.
"Yes Master," said Evie.
"Yes Master," said Jill.
"Yes Master," said Sally.
"Yes Master," said Nora.
"What the fuck?" said Lucy. "What. The. Fuck? The. Sky. Is. Falling. I have irrefutable evidence. Master, please!" she said in a rather irritating manner.
Later, their master beat Lucy. And a little while after that, he locked her in the basement.
The sky, for the record, is in the same place it was when Lucy started to run.
The End.

Sunday, April 8, 2007

The Return of Turianus; Nirah is Put to Work

I was pleased to see the invitation sent to Quintus Turianus accepted, the very fellow striding the center aisle of the Great Theater as if it were simply the day following his performance of The Fall of Agamedes. The protagonist and antagonist are purposely not well-defined in this new play, but suffice it to say the son of Torcadino will assume one of two available principal roles. He is a handsome fellow, perhaps as handsome as the ill-fated Appianus' Milo once was, but that should not be held against him. He does not rely on his appearance to mask any shortcomings as an orator. I feel fortunate to have him.

I spent much of this morning and afternoon in the Tallux Theater, eager to get on with the construction of the set. There is not much to emulating a single room in the Insula of Achiates. The set will consist of a back wall with a working door, a couch covered by a dingy sheet, a ratty fur upon the floor, a night table with a small, oil-burning lamp and a chamber pot. Much of the building has been completed, leaving only the 'aging' of these items to appear as if they could be in a room of the humble tenement I hope to emulate. I set the girl, Nirah, about that task, exploiting her ability to paint. She will be charged with putting a faux finish on the wooden wall that appears to be water and smoke damage as well as the stains of age, perhaps layers of paint. One atop the other, peeling to reveal the previous efforts. She will work, too, on making the sheet and other surfaces appear sufficiently lived-in. These tasks, partially under my supervision, are well underway.

"When must the work be completed?" she inquired.
"Locutius is expected in five days," I responded.
"Yes, Master," she nodded.

Thursday, April 5, 2007

Poetry in the Margin



It has been a full hand and then some

The drama that has ensued between then and now

Has played out without me

I am ambivalent for the moment

I have done what I can do

It is a saying of old Thassan salts

"The beatings continue until morale improves"

And they do, continue that is

For more than morale, however

For a positive outlook is simply not enough

For impropriety then, recalcitrance when

In the face of confrontation, station

Was conveniently put aside

Pride is a false hope, a tenuous refuge

Like dignity, no sound shelter

For those that surrender the right



Tuesday, April 3, 2007

A Letter sent to Vesutto of Venna




14th Day of En'Kara 10,157 CA


Friend,


I am writing with regard to Phineahas of Brundisium, the Story Teller that portrayed Julian in The Fall of Agamedes recently. He mentioned a sojourn north to the region of the Sardar, but the last time I spoke with him he had postponed the trip indefinitely. He seemed amenable to accepting your hospitality when traveling through Venna, so I am curious to know if he did undertake the journey and, perhaps, you have had the pleasure of his company. It may just be that his face is buried so deeply between the thighs of his freckle-nosed slut, the import from Turia, that I will simply have to knock more audibly upon his door. I do not know. He recently came into a great deal of money. With the recent murders and arsons within the city walls of late, there is cause for concern.


The new play is entitled The Good Citizen. There are four roles, two principals and two supporting parts. Phineahas was definitely in my mind as I wrote one of the parts, but the role remains open for auditions. As I recall, Locutius' contract with Gilberto in Ko-ro-ba was to expire at the start of this month. Has he arrived in Venna as planned? I would be interested in having him travel a bit further south. I do not think it will be difficult to convince the fellow. Even 'Locutius of Gor' is not above the Tallux stage. I am considering sending word to Turianus as well. I do not know that their egoes could co-exist on less grand a stage, but I think that Ar is big enough for the two of them.


I await your reply,

Szol of Ar

Sunday, April 1, 2007

Graffiti in the District of the Street of Brands


Your losses are regrettable
But necessary
Fodder for the machine
Sustenance for the beast
A feast
You are the quiet
The accepting
You watched when they
Tore down the walls of your city
Brick by brick
The bourgeois apologist
The landed defiler
All filed past you
Where was your anger?
Where was your fucking pride?
Rise.
Do not allow them the satisfaction
Of a contrite reply
For each eye an eye
For each tooth a tooth
Have you no venom?
The ruthless
The blasphemous
The famished tarsks of progress
Rut right through you
Brothers of low status
They come right at us
Torches lit
Blades at the ready
Steady
If you haven’t a voice
There is no need to fight

The Day of Respite


Timing, they say, is everything.


I took the Tuchuk-pierced Nirah into the Street of Brands District, down the Alley of the Slave Brothels of Ludmilla. Portia and Six, too, were with me. It is their 'day of respite.' Once per hand, I allow them a break from the work with which I charge them. It is important, in my mind, to keep their interests varied as well as their activities. I own literate women, for example. At various levels of competency, each of them reads and writes. Some paint. Some play instruments like the flute, kalika, lyre or tabor.

We were in the Alley of the Slave Brothels of Ludmilla, within the Street of Brands District, to pay a visit to the Insula of Achiates. The set of The Good Citizen will feature a representation of one room in that insula. Nirah was along to have a look at the room. If the set design includes a painted backdrop, she will be charged with completing that work. Patrons of the Boarding House, particularly of the second floor of the Boarding House where the alcoves are located, are already familiar with the purple-silked slave's prowess with painting. I've allowed her to paint the walls and doors of the second floor of that domicile, letting her have the freedom to put her imagination on display. Some of it is delightful. Some of it is compelling. Some of it is even disturbing. The interior walls of the alcove she is kept are a constantly changing landscape of color and abstract rhythms. From time to time, rather than let her creativity wander off unchecked, I assign her a project. A handful of ehn on the fourth floor of the insula should have sufficed, I felt, for her to get a feel of the room to paint an accurate enough representation.


We were not afforded a handful of ehn, however. As I have said before, they say timing is everything.


The Insula of Pompeius was set ablaze this afternoon. That is of note, to me at any rate, because the Insula of Pompeius is located directly across the street from the Insula of Achiates. It did not take long for the others within Achiates' tenement to panic and start piling into the hallways above and below the fourth floor. The construction of these places is not such where that much sudden, concerted movement is advisable. The building shook. Shook. As if the earth was moving beneath the foundation, assuming the building has a foundation, of course. Panicked residents crowded the halls, pushing and pulling at one another, shoving and jostling, trying to get outside. Who knew if the fire across the way would spread to this side of the street. Such things are not unknown to go unchecked in the poorer areas of the city. I waited within the room. There was no sense trying to push myself and the chattels with me into that irrational mob. The fire wagons were being rolled down the alley at any rate. I could hear their bells before I could see them through the smoke. As Pompeius' building groaned under the heat and hunger of the flames, men diligently worked at dousing what they could, bucket by bucket. Gawkers were warned to keep back, but most could not resist staring wide-eyed. When the hall cleared on my floor, I made haste to get to the street, instructing the women with me to link wrists. There was still a crowd to get out of the building, but it was manageable.


On the street, I was impressed to see members of the city council with their sleeves up, doing what they could to limit the damage of a building that was past saving. I parked the asses of the women with me and started across the street to offer my assistance as well. That was when the Insula of Pompeius finally gave up the struggle and simply collapsed under it's own weight. Smoke and soot plumed, covering those of us foolish enough to be too close, as I was. I, then, found myself part of a backpedalling throng of arms and legs. People were just trying to get away from the smoke and the debris that shot forward. I saw a woman with her face burned, red like the tunic of a Warrior. She couldn't have had more than the protection of two veils, the remains of which laid uselessly at her cheeks, failing to hide her shame. Another fellow, just to the right of me, tripped as we were rushed back. I heard the distinctive crunch of broken bone and caught sight of him in my periphery, clutching his crushed arm as people were unable to avoid stepping upon him further. I was fortunate. I was not burned, broken or even bruised. I suffered only the simple indignity of a faceful of soot. My tunic will need the efforts of more than one girl to remove the grime, I think.


I do not know what is at work here. On one hand, low-rent apartment buildings collapse or go up in flames all of the time. On the other, not with the frequency that fires seem to be occuring of late. And it is not merely the low-rent tenements. And then there are the murders, of course. Perhaps this is why I do not like politics, why I was hesitant to become a politician, even in the minor role I have accepted. This has the stink of politics to me. The taint of a power struggle. You can almost hear the gold coins moving from one hand to the other.


For the girls behind the red door, today was a day of respite. For the rest of Ar, it was quite another thing entirely.