At the Corner of Teiban & Clive
before the black Sardar range and in the face of the world,
I swear eternal fidelity to the just cause, as I deem it,
of the City of my life, my liberty and my love.
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Remember me
That is not a question
It is a command
At the very least
It is something
That I implore
For when I am gone
I am gone
For when I am dead
I am dead
This generation
The next generation
And the generation
That came before me
They will remember
As must you
For when I am through
I am through
When I no longer write
No longer will you read
Anything new
Let the old ideals
Spark the new ideas
And the new ideas
Bring the change
We all desire
Feet to the fire
Your ire to the flames
You are challenged
All life is The Game
Each piece has its place
Each place has its time
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I was pleased to see the invitation sent to Quintus Turianus accepted, the very fellow striding the center aisle of the Great Theater as if it were simply the day following his performance of The Fall of Agamedes. The protagonist and antagonist are purposely not well-defined in this new play, but suffice it to say the son of Torcadino will assume one of two available principal roles. He is a handsome fellow, perhaps as handsome as the ill-fated Appianus' Milo once was, but that should not be held against him. He does not rely on his appearance to mask any shortcomings as an orator. I feel fortunate to have him.
I spent much of this morning and afternoon in the Tallux Theater, eager to get on with the construction of the set. There is not much to emulating a single room in the Insula of Achiates. The set will consist of a back wall with a working door, a couch covered by a dingy sheet, a ratty fur upon the floor, a night table with a small, oil-burning lamp and a chamber pot. Much of the building has been completed, leaving only the 'aging' of these items to appear as if they could be in a room of the humble tenement I hope to emulate. I set the girl, Nirah, about that task, exploiting her ability to paint. She will be charged with putting a faux finish on the wooden wall that appears to be water and smoke damage as well as the stains of age, perhaps layers of paint. One atop the other, peeling to reveal the previous efforts. She will work, too, on making the sheet and other surfaces appear sufficiently lived-in. These tasks, partially under my supervision, are well underway.
"When must the work be completed?" she inquired.
"Locutius is expected in five days," I responded.
"Yes, Master," she nodded.
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